First Impressions
An interview with Lara Foot Newton Early in the Mentorship
What interested you most about participating in the Rolex Arts Initiative?
The thought of having a mentor. I knew it was the right time in my life to learn and see things differently as well as the idea of connecting with international artists from different disciplines.
Have you ever had a mentor before?
Yes, a man named Barney Simon, in South Africa – though it wasn’t something formal like what I have right now with Rolex. Barney gave me guidance when I first started out as a director. He was interested in my work and made me curious about the humanities.
What do you hope to get out of this collaboration?
It’s very open. We’ll see where it will lead. In addition to guidance and writing, what I want most is a dialogue about theatre. In South Africa, we’re facing big questions: where should the theatre go after democracy? What stories should we tell? During the year, I will be watching Peter Hall direct some of his plays in London. And while I’m there, I shall also see lots of plays – this is the opportunity to immerse myself in theatre.
Sir Peter has recently seen my work at The Gate Theatre in London. This was one of the most fantastic experiences I have ever had.
He was very encouraging about my writing, which is inspiring. After he saw my work, our dialogue progressed into new dimensions.
We have plans for him to visit Cape Town when I direct a Pinter. This will be the cherry on the top!
So far, what is the best part of being a Rolex protégée?
The fact that people recognise my work and they believe in me. This is an amazing opportunity for me to get a sense of the bigger picture of theatre. I have also had the opportunity of making good contacts. Sir Peter is keen for me to meet as many theatre people as possible.
What was your first impression of your mentor?
I found Sir Peter Hall warm, kind. Our first conversation was fascinating, challenging, vigorous as well as exciting. He is undoubtedly a giant of the theatre.
How do you think your work is similar to or different from your mentor’s?
Sir Peter Hall deals more with text than with image. He looks for meaning between words, and I’m interested more in space. We both are fascinated by the way a story unfolds, and have respect for good writing. And we both really like actors, and are fascinated by them.
Do you think that Peter Hall’s guidance will change your approach to theatre?
It already has. He has confirmed in me the need for form in the presentation of great works. The desire to explore colloquial dialogue has finally been banished from my thoughts, and I will now look towards form and poetry.