Interview with John Baldessari
Do you believe that senior artists have a responsibility to provide guidance to their younger peers?
Yes.
How does the very notion of mentoring fit in with the way you create art?
It's similar in that it is about getting across an idea. Dialogue should be neither too abstruse nor too simple.
Why did you agree to participate in the Rolex Arts Initiative?
It was an ideal teaching situation – one on one.
Why did you choose Alejandro as your Protégé?
Because his work was more inclusive and undefinable and because of [his] interest in writing.
Did you set objectives for your year with Alejandro?
No.
Was there one key thought or lesson you wanted him to learn or understand?
Be open-minded in that art can come from anywhere – never be dogmatic.
How would you describe the overall experience of working with Alejandro?
Like two strategists in a dialogue.
What direction do you think he should take now in his work?
I never prescribe. Although if he moves more to the visual I know the results would not be predictable.