Joan Jonas, a pioneer of video and performance art, is considered the “ideal mentor” by Thao-Nguyen Phan, from Vietnam, where she has pushed the boundaries of contemporary art by combining painting, video, performance and installation.
For photographer Sammy Baloji, from the Democratic Republic of the Congo, the experience of working with Olafur Eliasson opened his eyes to other forms of artistic expression. “I was inspired simply by seeing his studio,” he says.
William Kentridge opened his studio to Mateo López and encouraged him to expand his concept of what it is to be an artist, pushing him past his comfort zone. To his surprise, López enjoyed the experience and has embraced a more spontaneous approach to his art.
Nicholas Hlobo’s work is intimate and provocative. The creations of his mentor are gigantic and enigmatic. These two unique artists enjoyed a lively dialogue, each intrigued and eager to learn about the other’s style.
Both mentor and protégé revel in the art of turning experience inside out. In their mentoring year, each artist found their way back to where they began, in some way.
Alejandro Cesarco and John Baldessari see images and complexity beneath words, offering a surprising plurality of meanings to the viewer.
Matthias Weischer wanted to watch David Hockney at work. He had to wait for his wish to be granted, but the experience was a revelation.
Sahel Al-Hiyari’s maturity as well as his strong visual language greatly impressed Álvaro Siza. The master also appreciated his future protégé’s awareness of the context and environment inherent in all architectural work.
February 2016 Uruguayan artist Alejandro Cesarco uses the prism of memory to reflect on the past and the future.
November 2015 William Kentridge and Mateo López held a talk in Beijing on whether time “wasted” in the studio is vital to the artistic process.